Abstract Rhythm in Time DigitalART With eremite records Always Coming From The Love Side by TEST

I first heard TEST in June 1996 at the Learning Alliance, 324 Lafayette Street, 7th floor. The occasion was the very first Vision Festival. The mid-90s was a signal moment for avant-garde jazz & TEST was creating a buzz among the capsule of younger freaks gravitating to the scene. If the David Ware Quartet was the flagship group, TEST was literally the underground favorite —as part of the Music Under New York Program, TEST was out on the streets & subway platforms year-round, playing long-form unadulterated free jazz with an energy & creativity level rarely encountered. Even on a scene known for strong personalities these guys were obviously renegade cats. I mean, who else would do that? Sabir Mateen (1951) spent the '70s in LA playing in Horace Tapscott's Pan-Afrikan Peoples Arkestra. Tom Bruno (1937-2012) & Daniel Carter (1945) had been gutting it out downtown for ages. All three were U.S. military veterans. If you were looking for old-school visionary New York City counterculture musicians, with everything that implies, there were no better examples. TEST went through a couple of bass players (Poki Hudgins & Dan O'Brien) before Matt Heyner (1972) joined. As a member of NNCK Heyner was a next gen nut-rocker, in TEST he was a gently steady force. Once, as TEST was playing a street... more credits released April 14, 2020 Tom Bruno: drums Daniel Carter: reeds, flute, trumpet (left channel) Matthew Heyner: bass Sabir Mateen: reeds, flute (right channel) 13 November 1999, The Velvet Lounge, Chicago producers: Michael Ehlers & David Kennedy engineer: Malachi Ritscher mastering: Michael King / Reel Recordings photography: Joshua Abrams, Peter Brötzmann, Tony Getsug drawing: Matthew Heyner license all rights reserved

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