Abstract Rhythm in Time DigitalART With eremite records Transmissions by Alan Silva & Oluyemi by Alan Silva

artists audio community Transmissions by Alan Silva & Oluyemi Thomas Wishlist supported by st33lf1st thumbnail szenk thumbnail hockhocking thumbnail Paradachs thumbnail Neil Hobkirk thumbnail Larry Looney thumbnail Paul Mimlitsch thumbnail Daniel Karrer thumbnail Mr. T. Being thumbnail Beeswax thumbnail Matt Nish-Lapidus thumbnail allen carlton thumbnail Yorick thumbnail yaakovlevy thumbnail olle13 thumbnail rnawallace thumbnail thumbnail Kirk Page thumbnail wiseape thumbnail csjazzflac thumbnail Robert Bresnan thumbnail Lofty Flight 00:00 / 12:29 Streaming + Download Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Download available in 16-bit/44.1kHz. $11 USD or more 1. Connecting With The Divine 16:20 2. Lofty Flight 12:29 3. Root & Branch 11:49 4. Offering To The Exalted One 05:24 5. Soft Flowing Waters 04:34 about A music master is one who has developed a profound musical language. A language that transcends & recreates the history of sound each second, while at the same time existing in the moment. Knowing that life is too precious to squander on mundane 'jazz.' Feeling & believing that each & every time music is played there is an opportunity to be a conduit for peace, wisdom & understanding on the highest level. One such master is Alan Silva... welcome to his musical world. A world of sound, a world of color, a world of mountains, stars, planets. A world of spirits that heal. As an innovative bassist his arco & pizzicato work is unprecedented. Check out the Jimmy Lyons' recording Other Afternoons, Albert Ayler's Love Cry, & Cecil Taylor's Conquistador. Listen to the broad strokes he paints with the Silva Glissando, one of his trademark creations. This work stands up to & is equal to the work of Ray Brown, Charles Mingus, or Richard Davis at their best. Alan was one of the first exponents of a term that is known today as conduction: the spontaneous creating of group composition without the aid of written music. Alan Silva was doing it in the 60s, the 70s, the 80s, the 90s, & he continues to create & compose for large orchestras today. Through his own concepts, & pivotal musical meetings... more credits released September 22, 2018 Silva: double bass Thomas: bass clarinet, c-melody saxophone, wooden flute, percussion 16 October 1999, Unitarian Meetinghouse, Amherst, MA producer: Michael Ehlers engineer: Alen Hadzi-Stefanov photography: Stewart Mostofsky & Michael Tom liner notes: William Parker license all rights reserved

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