Abstract Rhythm in Time DigitalART With eremite records Divine Mad Love by Sabir Mateen Trio by Alan Silva
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Divine Mad Love
by Sabir Mateen Trio
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Running into the Truth (after Chasing a Lie) 00:00 / 09:57
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1.
Glory & Praise to the Most High 06:35
2.
Checking in with Yourself 18:57
3.
Conversation / Lunch before Departure 04:53
4.
Running into the Truth (after Chasing a Lie) 09:57
5.
Illuminations Flute 05:51
6.
Divine Mad Love 08:26
7.
Illuminations Bass 01:25
8.
Illuminations Drums 02:12
9.
WhyDidJaDoIt? 02:18
about
multi-instrumentalist mateen (alto, tenor, clarinet, flute) made his recording debut in 1979 with horace tapscott's pan african people's arkestra. after years of heavy dues paying, mateen is now a luminous presence on the american improvised music scene, as part of TEST, tenor rising, sunny murray's bands, the raphe malik quartet, & william parker's little huey creative music orchestra. laurence cook and john voigt forged their concepts in the more arcane vein of the free jazz universe: lowell davidson, alan silva, bill dixon.
Bracingly pure. The nine tracks here demonstrate that he's harbored, fed & nurtured inborn musical drives without reference to niceties of song form. He tells stories his own way. His complete avoidance of cliche during the nearly-19 minute epic "Checking In With Yourself" is only one example. Mateen seeks the freedom & accepts the responsibilities of playing only what he's dreamed up from deep within. --Howard Mandel, Jazziz
Saxophonist Sabir Mateen emerged on the west coast playing with eminence grise Horace Tapscott, and his grasp of the the traditions has a similar depth and disregard for fashion. He has found his own voice, skippy and playful like Ornette, but also vocalized and ecstatic like the players encouraged by Coltrane. His clarinet is... more
credits
released October 2, 2018
Mateen: alto & tenor saxophones, flute, clarinet
Laurence Cook: drums & percussion
John Voigt: bass
02 February 1997, PBS Studios, Westwood MA
producer: Michael Ehlers
engineer: Peter Kontrimas
photography: Lila Lee & Charles Gross
license
all rights reserved
Blue Winter by Fred Anderson, Hamid Drake, William Parker blue winter is a milestone achievement in the career of tenor saxophone stalwart fred anderson. an exponent of the illustrious chicago heavyweight tenor tradition that includes his contemporaries gene ammons, johnny griffin, john gilmore & von freeman, anderson spent decades as a family man & bar owner before starting to seriously tour & record in the nineties. born 1929 in monroe, louisiana, anderson migrated to chicago in 1940, devoting many years of study to the music of lester young, coleman hawkins, & charlie parker. in 1964 anderson co-founded the seminal chicago musicians' organization the association for the advancement of creative musicians (AACM). the strength & individuality of his playing in early AACM ensembles with muhal richard abrams, joseph jarman, & henry threadgill earned anderson the nickname "the lone prophet of the prairie." joining anderson on blue winter is one of...
1999-06-05 Amherst by Alan Silva Celestrial Communication Ensemble t II 31:27 about “This is first & foremost religious music. Every sound serves an extra-musical purpose —creating a sonic analogy to a mystical experience. The sheer roiling volume, density & fullness of tone fills the listener with a powerful sense of the infinite, a sublime combination of awe, dread, & unearthly ravishments.” —Ed Hazell, 1999 Alan Silva (born Bermuda, 1939) made regular appearances on the Western Massachusetts eremite records scene from 1998 > 2004. He performed at the last two Fire in the Valley festivals (1999 & 2002), played in small ensembles with Marshall Allen, Johannes Bauer, Malcolm Goldstein, Sunny Murray, William Parker, & Oluyemi Thomas (among others), led the final concerts by his 35+ year open-form large ensemble juggernaut, the “Celestrial Communications Orchestra” (2003), & guested with numerous visiting musicians, including 2 Days in April with Fred ...
2000-06-24 Amherst by Alan Silva Celestrial Communication Ensemble This is first & foremost religious music. Every sound serves an extra-musical purpose —creating a sonic analogy to a mystical experience. The sheer roiling volume, density & fullness of tone fills the listener with a powerful sense of the infinite, a sublime combination of awe, dread, & unearthly ravishments.” —Ed Hazell, 1999 Alan Silva (born Bermuda, 1939) made regular appearances on the Western Massachusetts eremite records scene from 1998 > 2004. He performed at the last two Fire in the Valley festivals (1999 & 2002), played in small ensembles with Marshall Allen, Johannes Bauer, Malcolm Goldstein, Sunny Murray, William Parker, & Oluyemi Thomas (among others), led the final concerts by his 35+ year open-form large ensemble juggernaut, the “Celestrial Communications Orchestra” (2003), & guested with numerous visiting musicians, including 2 Days in April with Fred Anderson, Hamid Drake,...
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